The Godfather II
	Genre: Action (Historical) Developer: Electronic Arts
Publisher Region Released Electronic Arts NA 04/07/2009 Electronic Arts EU 04/10/2009

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Staff Review

Review by Gary Hartley
July 07, 2010

When EA’s ambitious attempt of bringing cult mafia film The Godfather to the last-gen systems (then snuck them onto the newer consoles through the back door when no one was looking) the general reception was lukewarm. It was okay, considering it was one of those licensed games that the industry is still trying to shift the unsavoury taboo of guaranteed awfulness from, but nothing special. It simply existed.

The second game might be significantly upgraded, pumped full of new options and generally shinier, but it still can’t shrug off the overriding haze of indifference that surrounds it.

Godfather II holds a more strategic mindset over that of its aged predecessor. The Mafioso directly under your command can be recruited with set traits in hand, be that of a thuggish brute that can smash down doors or shank rival family members from behind, or safecrackers who can, well, crack safes. Arsonists and demolition experts blow shit up for giggles and medics can drag downed men in a firefight back to their feet. Up to three of these soldiers can tag along with you through the game, helping you take over rival businesses, whack opposition gang members or rain general chaos throughout.

The strategic element is brought in through the new Don’s View. This will bring up a 3D map of one of the three cities you can try and lay claim to. These cities are rife with exploitable rackets just waiting for the right hard man with a dodgy Italian accent to usurp, and all it takes is a little bit of violence; the most common way to take over a rival business is to enter, kill everyone who looks at you funny, then strong-arm the owner. You can help him see things your way by smashing up his shop, beating up him or his staff, by dangling him of a ledge or by any number of thuggish actions.

Don’s View can let you send your men in to shakedown a location if you’d rather not get your hands dirty, but it has a bigger focus on the defence of these properties. From the View, you can hire cheap guards to look after the place and ward off any unwanted attention, as well as send your personal soldiers to besieged locations to help out. You can also send them to blow up opposition buildings, robbing enemy families from certain crime ring bonuses, such as control of the prostitution racket arming all your men with shiny new knuckledusters. If a rival gang is proving hard to down thanks to sturdy but highly unfashionable bullet-proof vests, then blow up one of the corresponding rackets, and they lose the perk until it’s rebuilt.

In theory, then, Godfather II should be a great game, and for some periods it is. Families ejected from their rackets don’t sit around and sulk about the matter; they posse up and try to take back their land via unspeakable violence. This has you needing to employ a balance between offence and defence, of knowing when to push forward and when to dig in -- or at least it should. Godfather II‘s biggest fault by far is just how damn easy the game is.

Storming an enemy business makes up the bulk of the game, and it’s never much more then arrive, fire endlessly until everyone is dead, than leave. Standard guards on both sides of the spectrum struggle to obtain relevance, but it’s often a step too far for them to achieve. They do all the things expected of them: hide behind cover, press their numbers advantage and even use their selected firearm to its unique specifications. Men with rifles will line rooftops looking to snipe you from afar, while tommygunners will spray your location with covering fire while men armed with shotguns can advance. You can step back and admire their efforts if you like. Or you could spend the few seconds required to kill them off.

Your character, and, to a lesser (but just as valid) extent, the Made Men you command, are like Gods compared to these thugs. With the right perks from crime rings, these assaults boil down to little more than standing out in the open and mowing down any idiot that pokes his head out. The difficulty of these standard thugs never increases, while you’re free to find hardier weapon upgrades and spend your dirty money on statistical boosts. The thugs do increase in number as the game rolls on, but this just means eventually climbing over a bigger pile of bodies to threaten the owner.

Defence is often just as simple. The hired guards can act as a time-wasting buffer until you’re able to arrive and effortlessly gun down the transgressors, but, I never needed to do this once. A more time saving method was to throw my Made Men at the problem, making sure I had more personal soldiers than the other guy, thus insuring victory. The only time this fails to work is when the game changes the hardiness of your opposition to tie in with a plot event. Very shortly afterwards, they’re back to the same marshmellowy softness you’ll come to expect, and, even though you’ll lose a few businesses in the meanwhile, the only thing it will cost you to regain them is time.

It’s the casual ease in which you can blindly slaughter that really serves to sink the game like a pair of concrete boots. You can go out of your way to find small slices of sturdy action, like hunting down top ranking men in each enemy family and executing them in a set way, but even this is ultimately pointless. The hook for these assassinations is that it will weaken the gang’s ability to attack or defend, but they never had that ability to begin with.

It’s worth noting that a reasonable job has been done conveying the film’s highlights into a videogame setting, but the same could be said for the first. The problems inherited are still not in the settings, but in a game seemingly made in fear of being hard enough for people to stop playing and see what happens next. Unfortunately, rather than help me see the game through, the ease helped me second guess it instead. There’ll be a showdown, it will be anticlimactic and I’ll win without any fear of defeat. Battles are won before a single shot is fired, business taken without so much as a pride-obliterating pimp slap and the game completed without effort or, ultimately, interest.

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