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Review by Gary Hartley
April 14, 2008
Ramble aside; eleven is a lot of games to play through. Sure, these games are bite-sized, released monthly and affordably priced, but there’s always going to be the overhanging problem the series will stray into redundancy. Of constant, mind-numbing repeating and retreading the same ground over and over again. And, if I want to be a cynical hack (and I do: I remind you of my aforementioned job) Sam & Max do this a lot. The games are always gong to revolve around a few set locations; there’s always going to be the pair’s office, a few key locations such as Bosco’s shop or Stinky’s diner. Efforts are made for at least one new location to be provided each title, but even that’s expected now. It could be argued that this is what we signed up for so long as we expect our new chapter’s delivered to our desktops monthly, and it’s a fair point. Just look how bungled the Half Life episodes have been handled. They may offer more changes than Telltale’s point and click series, but we’re lucky if these are delivered annually.
We’re now at the point where the game even makes fun of itself for these limitations, and, while taking pot-shots at the fourth wall is a Sam & Max staple, it’s a little hard to poke fun at crimes you commit yourself. Get ready for the jarring change of tone, though, folks, I’m about to tell you why I loved Chariots of the Dogs anyway.
If you’re going to recycle and rehash, then it’s vital that you do something to make each location different from the last time we saw them. Sam & Max has not always done this and has been somewhat guilty of hiding these flaws behind an always-strong script and constant stream of genuinely funny gags. Last month's episode, Night of the Raving Dead, thrived off the series’ strongest villain yet and by cleverly keeping the focus on the German vampire more interested in trend-setting than stereotypical vampirisms and away from the ‘been there, done that’ element of the locations and puzzles. Chariots of the Dogs tries to bring a new twist to the locations; they are not what you remember them to be.
Chasing down the missing Inconnivance Store owner, Bosco, leads the detective duo into his store-turned-hi-tech-hideout. By following the trail of clues left behind in his store, the pair activates a signal and are promptly abducted by time-travelling aliens and besieged for help by a slightly odd looking Bosco. Too much messing around in the time stream has left him slightly differently than you may recall him. Unless last time you saw him he had udders, four hoofed feet and cattle horns.
By using a discarded converted carbon dater (that you stole from Sybil in an earlier episode) that you can scan other people and travel through time to those same locations you’ve seen before, but all with a fresh twist. Visit Bosco’s store in the ’60s to discover it run by his feminist mother instead. While you can visit the Freelance Police office in real-time, you can also visit in the future, where Future Max will tell you that the pair spent all their lives wandering around the same old streets over and over again and a senile Max (housed in the darlek-like future chair sci-fi nerds may recall was used by Captain Pike in that kooky episode of Star Trek where they take him back to [snip – too nerdy]) will lurk in the corner uttering forgotten phrases from the original Hit The Road title.
To get the best of 204, you really need to have played the rest of the games because perhaps its biggest strength is how it ties up almost every loose end the series had flapping around. Thought that ink ribbon left in the Zombie Factory last episode was just a sly dig at Resident Evil? You’re wrong! It’s actually the by-product of vandalising a UFO’s printer and discarding the unwanted ink ribbon into a handy nearby time portal. Some of the earlier chapter’s shenanigans show up to be more than random acts of craziness designed to get cheap laughs and instead fall into place brilliantly to complete a look at a much bigger picture. Little pockets of earlier games suddenly sharpen up with newly-obtained clarity. Your goofy grin quickly becomes a knowing smile.
Add to this some of the wittiest writing yet, the decision not to include some of the more overplayed members of the cast and capped with a lesson on exactly how to make a cliff-hanger ending sell the final episode to the masses (but ignore the ease of the puzzles because I’m trying to end the review on a positive) and you’ll see Telltale have all the ingredients to finish off the second season of Sam & Max on a real high.
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Most recent video game reviews written by Gary Hartley
Medal of Honor: Airborne (Xbox 360) [January 31, 2012]
GET TO THA CHOPPA TWOOO!!2 (Xbox 360) [November 29, 2011]
Tropico 4 (Xbox 360) [November 06, 2011]
Fire Mustang (Genesis) [August 20, 2011]
L.A. Noire (PlayStation 3) [August 13, 2011]
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