Ads are gone. We're using Patreon to raise funds so we can grow. Please pledge support today!
Google+   Facebook button  Twitter button 
3DS | DS | PS3 | PS4 | PSP | VITA | WII | WIIU | X360 | XB1 | All
Enslaved: Odyssey to the West (Xbox 360) artwork

Enslaved: Odyssey to the West (Xbox 360) review


"Its often glaring technical mishaps are eclipsed by sheer artistic majesty. For as easy as the platforming is, the cinematic, almost Uncharted 2-esque set pieces nonetheless manage to create a sense of urgency. Despite the gameís relative simplicity Ė hell, Iíll settle for shallowness Ė I was frequently left in awe of the numerous instances in which the escort mechanic just clicks. And for all of those admittedly awful combat segments, the gripping narrative makes it worth the struggle."



Until just recently, Ninja Theoryís only game under their current name was Heavenly Sword, a decidedly average God of War clone that benefitted from a heartfelt narrative and expertly crafted cutscenes by motion capture wizard Andy Serkis. Iím not about to suggest that a good story can carry a game all by itself, but Heavenly Sword was evidence that a little heart and soul can make an otherwise unremarkable experience worth delving into.

Enslaved: Odyssey to the West isnít an average game at all, but rather a perplexing mix of good and bad. Itís often jaw-droppingly gorgeous and sports one of the most well-implemented escort systems Iíve ever used in a game. On the other hand, itís also incredibly unpolished, and the simplistic combat and cumbersome camera frequently drown out Enslavedís more impressive sequences in recurrent bursts of frustration. The game is regularly entertaining but just as often a chore, and in any other case, Iíd be perfectly content to say that Enslavedís many shining moments arenít worth the trouble.

Thing is, itís not that simple. With cinematic direction once again helmed by Serkis and a script co-written by Alex Garland (whoís penned a couple of movies you like), Enslaved is one of the yearís most emotionally ravaging games, and provides us with two of the most complex, believable protagonists in recent memory. Set in a post-apocalyptic future in which robots have enslaved humanity, the game centers on an acrobatic man named Monkey, who escapes imprisonment but quickly falls into servitude of another kind when a woman named Trip fits him with a slave headband that controls his actions. Trip explains that she needs his help to return home, and refuses to remove the device until she gets there.

To call Enslaved a love story is inaccurate. Itís a classic ďodd coupleĒ scenario, with two very different characters in two very different positions forced to travel with one another, with Monkey having good reason to hate Trip but also being responsible for her life. What makes their interactions so fascinating is how these two people express themselves. Trip is never difficult to read, but the stoic Monkey keeps his emotions to himself. Watching their relationship blossom is engrossing largely because weíre never quite sure where Monkey stands. We know there will come a point in Enslaved when Trip finally removes Monkeyís headband, and we have a good feeling that this moment will arrive before the game is over. What we donít know is how Monkey will react when heís finally released, and that question hangs over the length of the game.

The connection between Monkey and Trip drives the narrative forward, and itís what keeps the rather basic gameplay afloat, as well. At its heart, Enslaved is one of those nebulous do-all action games that combines hand-to-hand combat with Prince of Persia-style platforming and everything in between. Stealth? Weíve got that. Orb-collecting? Come get some. And as is usually the case with a game that tries to do too much at once, very few of Enslavedís individual elements would stand on their own. The platforming, for example, feels way too assisted, since Monkey will never attempt a jump that he wonít land.

The biggest offender, however, is the hand-to-hand combat. Youíre at the mercy of a wildly spastic camera system that frequently renders the action nearly incomprehensible, but even when you can see whatís going on, the combat is clunky, simplistic and boring. I made the mistake of playing Enslaved on its highest difficulty right out of the gate, and I strongly recommend not doing this, as it only exacerbates flaws like unresponsive commands and cheap enemy attacks. (Whatís the point of having a dodge move if enemies will automatically home in on your position?) On the default setting, the combat is tolerable, but still the one gaping flaw that continuously holds Enslaved down.

Where Enslaved makes up for it, again, is in exploring the dynamic between its two leads. Monkey can issue a few simple context-specific orders to Trip, and the resulting cooperative play is a real treat. Trip isnít just a liability, and thatís demonstrated often, such as when the two of you must provide distractions for each other when sneaking through areas rife with gunfire, or during a particularly memorable scene in which you must work together to solve a puzzle-centric security system designed to keep out mechs that donít have the benefit of human intelligence.

And even when itís ďjustĒ an escort system, Ninja Theory works that angle to their advantage by intensifying otherwise unspectacular situations. Climbing a tower as itís falling apart isnít a difficult task for Monkey, who is aptly named, but the complication of having to guide the far less physically capable Trip to the top adds an extra layer to the design. Itís sequences like these, of which there are many, that help Enslaved forge an identity of its own.

It certainly doesnít hurt that the world this adventure transpires in is so richly detailed. I could never get around to finishing Fallout 3 because I found the atmosphere too off-puttingly bleak to endure for long stretches of time, and as such, itís a relief that Ninja Theoryís post-apocalyptic landscape is bright, colorful, and exuding personality around every turn despite only a handful of speaking roles. Iíll note that Enslaved is plagued with issues like choppy animations, framerate dips and lackluster texture work, and yet despite all of that, itís one of the most aesthetically pleasing games Iíve played all year.

And thatís a parable for the game as a whole, really: its often glaring technical mishaps are eclipsed by sheer artistic majesty. For as easy as the platforming is, the cinematic, almost Uncharted 2-esque set pieces nonetheless manage to create a sense of urgency. Despite the gameís relative simplicity Ė hell, Iíll settle for shallowness Ė I was frequently left in awe of the numerous instances in which the escort mechanic just clicks. And for all of those admittedly awful combat segments, the gripping narrative makes it worth the struggle. Even if they arenít master game designers yet, Ninja Theory treats its stories with the importance of a Hollywood production, and thatís something I can get behind.

Enslavedís ending is a bit of a letdown, unfortunately. A last-minute revelation isnít given nearly the weight it deserves, and it bogs the story down with more complications than one short cutscene is equipped to handle. Iím not as bothered by it as you may think, though, if only because Enslavedís narrative is less about where weíre going and more about how we get there. Itís a brilliant testament to a certain type of interactive storytelling, where even if we have no say in the outcome, the fact that weíre taking this journey alongside these characters makes it that much easier to watch Ė and understand Ė how their relationship evolves. Enslaved has some major problems, but I hope youíre willing to put up with them, because you need to play this game regardless.

Rating: 8/10

Suskie's avatar
Freelance review by Mike Suskie (October 16, 2010)

Mike Suskie is a freelance writer who has contributed to GamesRadar and has a blog. He can usually be found on Twitter at @MikeSuskie.

More Reviews by Mike Suskie
The Evil Within (PlayStation 4) artwork
The Evil Within (PlayStation 4)

It may not be a revelation, but The Evil Within is clearly the work of someone who's been here before.
Middle-earth: Shadow of Mordor (PlayStation 4) artwork
Middle-earth: Shadow of Mordor (PlayStation 4)

A slow but exhilarating rise to power.
Natural Doctrine (Vita) artwork
Natural Doctrine (Vita)

The developers seem to believe that mastering their web of convolution is its own reward.

Feedback

If you enjoyed this Enslaved: Odyssey to the West review, you're encouraged to discuss it with the author and with other members of the site's community. If you don't already have an HonestGamers account, you can sign up for one in a snap. Thank you for reading!

board icon
honestgamer posted October 17, 2010:

This was a terrific review, Mike! I had already picked up a PS3 copy of the game based on the merit of Heavenly Sword and the comments I've been hearing about how pretty and interesting this new title is, so your review didn't convince me to buy the game the way it otherwise would have. Instead, it refueled my interest in opening the game and playing it right now. Unfortunately, I don't have the time to do that thanks to other commitments. Either way, it's nice to see this review on the site and I hope it has as much impact on other readers as it did me.
board icon
zippdementia posted October 17, 2010:

True's review had already convinced me... now I'm doubly convinced.
board icon
Suskie posted October 17, 2010:

Thanks a lot. After sleeping on it, I eventually decided that Enslaved is a game that everyone needs to play despite everything it does wrong, so I'm glad that came through. I would've recommended renting it, though. I did that and came away satisfied.
board icon
honestgamer posted October 17, 2010:

I'm pretty sure that (literally) the last game I rented was one of the Dreamcast launch titles. Rentals are too expensive around here. I literally lose less money (by the time you factor in store sales and my employee discount) if I buy a game and play it, decide I don't like it and sell it on eBay at a minor loss from the retail price. That might cost me a buck or two in a lot of instances, and that would've probably applied in this case. Of course, if I keep a game I lose a lot of money... and I pretty much always keep 'em.
board icon
Suskie posted October 19, 2010:

Renting games, to me, isn't always about simply trying them out. I typically only buy games if I'm sure they'll give me a lot of value for my money, either because they're long or because they've got things like multiplayer or extra modes to extend the playtime. Games like Enslaved I only tend to play once anyway, so if I can finish them within the period of a rental, then I'm getting all of the value I can out of the game and I pay a fraction of the price.

I got into that habit last year, when there was a video place near me that offered two-day game rentals for four bucks. I got used to playing through games very quickly and paying a minuscule fraction of the retail price.
board icon
zippdementia posted October 19, 2010:

Renting games is a lot more difficult now that Hollywood Video is closed. There is that netflix-like game rental site somewhere.
board icon
Suskie posted October 19, 2010:

Blockbusters are closing down everywhere, but there are still a few near me. There actually used to be a Hollywood Video in my area, like, a decade ago, and then it shut down and was replaced by a Blockbuster. Now that's gone, too.

You must be signed into an HonestGamers user account to leave feedback on this review.

Site Policies & Ethics | Contact | Links

eXTReMe Tracker
© 1998-2014 HonestGamers
None of the material contained within this site may be reproduced in any conceivable fashion without permission from the author(s) of said material. This site is not sponsored or endorsed by Nintendo, Sega, Sony, Microsoft, or any other such party. Enslaved: Odyssey to the West is a registered trademark of its copyright holder. This site makes no claim to Enslaved: Odyssey to the West, its characters, screenshots, artwork, music, or any intellectual property contained within. Opinions expressed on this site do not necessarily represent the opinion of site staff or sponsors. Staff and freelance reviews are typically written based on time spent with a retail review copy or review key for the game that is provided by its publisher.