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Stubbs the Zombie in Rebel Without a Pulse (Xbox) artwork

Stubbs the Zombie in Rebel Without a Pulse (Xbox) review


"If you can stand the notion of devouring brains, watching your victims rise from the ground and stumble about at your will is quite enjoyable. A kid with the baseball bat soon joins your team, and you can whistle to make him shamble over to you, or just leave him to expand your army the best he can."



It happened in the late 1950s. Two teenagers, very much in love and very hungry, headed to the park to share a single hotdog. They knelt on the grass and began to nibble from both ends, sincerely planning to meet in the middle. At that very moment, a slimy green hand burst from the turf beneath them. It gripped the hotdog for a second before a hunched over form climbed out of the earth, barely clothed in tattered rags that didnít hide the spaghetti-like intestines dangling from its exposed ribcage.

Rather than run screaming, the young man shouted at the zombie for taking his food. The girl also remained remarkably composed. They sought assistance from a nearby guide robot, which scooted over to reprimand the zombie for the weenie theft. This is where Stubbs the Zombie in Rebel Without a Pulse begins, with you in the role of the eponymous member of the undead. Your objective throughout the gameís remainder is to eat as many brains as possible, and sometimes to complete a few other objectives in the process.

You might wonder how robots stroll the streets in 1950s America. While you ponder that, know that there are also hover cars and rocket packs and mad scientists and various other fixtures of 1950s science fiction cinema. Seeing such a mix while listening to remixes of music from that decade is odd, but youíll quickly adapt because everyone is shouting about communists and dressing like squares (familiar ground for gamers who played things like Destroy All Humans!). Also, the whole game is filtered so that it looks like youíre watching an ancient home movie. Most games wouldnít get away with such a gimmick, but here it really adds to the charm.

You need all the charm you can get, too, when your game is about some zombie munching on brains. Donít doubt for a second that Stubbs earns his ďMĒ rating. Our hungry protagonist is an emotionless monster, at least at first. He kills the young lovers in the park, the police that come to rescue them, and just about everyone else. Deaths are gruesome. Generally, Stubbs punches someone a few times to weaken them, then rocks them back and latches his decaying jaws on their heads. Blood flies and over-the-top slurping sounds follow, while your victims scream things like ďI have kidsĒ or sometimes something inane like ďthat was my second favorite arm!Ē Then theyíre dead.

Thatís not their end, though, and itís here that Stubbs the Zombie finds its appeal. If you can stand the notion of devouring brains, watching your victims rise from the ground and stumble about at your will is quite enjoyable. A kid with the baseball bat soon joins your team, and you can whistle to make him shamble over to you, or just leave him to expand your army the best he can. What about the chainsaw guy? Dodge his attacks long enough, counter with a few of your own, and heíll rise from the ground as one of your minions. Itís really cool at first, until you realize that zombies lose the ability to wield weapons. I would have loved to see my hapless clones pick up firearms or crowbars, but they never did. Even so, itís a lot of fun once you have a crowd following you. Enemies at that point are typically overwhelmed without too much effort, and they serve as the distraction youíll need to get up close and personal with law enforcement officials, soldiers or scientists.

Though forming zombie squads is fun, it does get old. Fortunately, the game adds a few clever diversions. These mini-games donít occur very often, and theyíre always tied into humorous plot twists, so Iíll do you a favor and avoid spoiling them. Let me say this, though: theyíre hysterically random. The game is often at its best when you remember how absurd everything is.

Despite the frequent hilarity, the plot is actually a compelling reason to keep playing. What starts simply, with a zombie killing teenage lovers, quickly turns into a remarkable love story. The fart jokes, the sexual innuendo, the parodiesÖ none of that gets in the way of the gameís central theme. As threads begin to weave themselves together and you realize the relationship the various characters share, there are a few ďAhaĒ moments that propel you through that next level or two, just to see what happens next. Then another cutscene comes and youíre laughing again, even if just a moment before you were grimacing as Stubbs tore off some guyís arm and brandished it as a club.

The game needs that compelling plot, because it definitely does have some dents in its armor. For one thing, environments are often rather bland. They range from a few skyscrapers, to city rubble, to sterile labs, to a farm with corn stalks and sheep, to a canyon with wacky plant life. Thatís about it, and itís easy to get lost if you forget to keep track of your bearings for even a moment. Sometimes, youíll be making progress, then turn around because youíre sure youíve already been to that area before, even when you havenít. The game is short, but I spent about an hour just wondering where the heck I was and where I was supposed to go next. It doesnít help that objectives arenít marked on your map, or--wait a minute, thereís no map! That might not seem like much, but one definitely would have been appreciated in this case.

Still, you canít take away what Stubbs the Zombie does right, which is just about everything. The unique mix of humor, gore, drama and mayhem means that itís easy to spend a few hours lost in the gameís magic. Then youíre watching the credits scroll while you listen to catchy tunes. They donít generally make music like that anymore. Then again, they donít usually make games like this one, either. Give it a shot. You know youíre dying to.

Rating: 8/10

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Staff review by Jason Venter (November 09, 2005)

Jason Venter founded HonestGamers in 1998, and since then has written hundreds of reviews as the site's editor-in-chief. He also is a prolific freelancer with game reviews, articles and fiction available around the Internet.

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