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Final Fantasy XIII
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Publisher Region Released Square Enix NA 03/09/2010 Square Enix EU 03/09/2010 Square Enix JP 12/17/2009 Square Enix AU 03/09/2010 |
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Systems > PlayStation 3 > F > Final Fantasy XIII > Staff Review
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Review by Jason Venter 
March 20, 2010
The story that Final Fantasy XIII tells unfolds on a train that is departing from that spectacular capital city. Passengers have been rounded up from across the globe and now they are headed to the world far below, a hellish wasteland known as Gran Pulse. There they will live out the remainder of their days in banishment, quickly forgotten by the relieved neighbors and loved ones who remain in Cocoon. The outcasts riding that train are guilty of an unforgivable transgression: there's a possibility that they came in fleeting contact with a villainous L'Cie. No one in Cocoon wants to run the risk of turning into one of those magic-wielding monsters. Everyone will do whatever it takes to keep their world safe from such demons.
Throughout the remainder of a fascinating tale, players will learn that not all is quite as it seems. L'Cie paranoia fills Cocoon. Where does it come from? How can a civilization continue to thrive when it is so intent on consuming itself from the inside? Final Fantasy XIII explores themes more mature than anything witnessed in past installments in the series as it treads on unfamiliar ground. The title examines human nature in a more riveting manner than perhaps any JRPG before it and it does so by revealing substantial lore so deep and satisfying that a forty-hour campaign isn't enough to allow players to thoroughly absorb it all.
Yet for all of its strengths, the plot in Final Fantasy XIII isn't perfect. Unparalleled ambition and a winding narrative are made less compelling by a disappointing central cast of characters. Six heroes and heroines seem like they should provide drama and intrigue aplenty, but even the most striking moments lack punch because the protagonists are painted with broad and generally uninteresting brush strokes. The writers got the drama part right, but with the general absence of intrigue, the anguish and soul searching seldom matter. Players will likely respond to characters because they're uncomfortably odd (like Vanille and her apparent inability to take a step without a pleased exclamation or giggle) or contemptible (like Hope and his self-absorbed quest for vengeance), not because there's much of anything to like about them. This is a case where blander is better.
In spite of character shortcomings, however, Final Fantasy XIII works because the plot and setting perform their tasks so remarkably well. Players will tour a world more fully realized than perhaps any that has ever been featured in a JRPG up to this point. Each environment boasts a distinct beauty that is all its own, whether the area in question be a temple passageway or a grassy ledge overlooking a broad prairie. You can simply walk through each point if you choose, but then you'd miss the thousand little masterpieces that lie to the sides of the path most traveled. Anywhere that you choose to rotate the camera, there's something new to see. Given what has come before, the number of technical improvements that Final Fantasy XIII has managed is astonishing, but that's not even the best part. What truly allows the game to stand out from the bulk of its predecessors is the manner in which it establishes that strong foundation and then builds on it with a long-overdue and surprisingly polished overhaul of the core gameplay mechanics.
A new combat system lies at the heart of that overhaul. Final Fantasy XIII adeptly blends real-time combat with a more familiar turn-based approach. The result is a pleasing compromise that should satisfy fans of both approaches. Rather than shuffling through an assortment of characters and waiting for meters to fill, players assume control of the party leader while assigning general roles to teammates through the use of "paradigms" that can be customized before each conflict. If the party leader falls, the "Game Over" screen results. Keeping that character alive while inflicting as much pain on the enemy as is possible--and as quickly as possible--becomes an addictive process, especially because mere survival doesn't feel like enough. Battles are rated according to the amount of time that it takes you to stomp all over whatever foes you find. Managing to snag a five-star rating against an opponent that you previously struggled against makes every moment of strategy and customization that led up to that point feel all the more worthwhile, especially if you did so by clever play instead of level grinding.
Suppose that you find yourself battling one of the behemoths that are so common during the latter half of the game. You've fought such beasts before, so you know how this battle will go: you'll drain most of the dragon's life meter, then he'll stand up on his hind legs and completely refill his life meter before swinging a saw-like weapon at you. You'd like to avoid that development, if possible.
As your three characters dance around the field, you decide to try something different. Instead of launching right into an attack, you let your characters worry about defending as they cast spells to strengthen their attacks. You slowly chip away at the dragon's defenses, in the process filling a meter that will cause him to enter a "stagger" that in turn allows you to inflict more damage with each attack. As the indicator flashes and your foe's life level drops, you shift paradigms again. Now you're mounting an all-out assault, one that the game suitably labels as "relentless." The dragon shudders in the face of the onslaught and begins to flash. He's about to stand up and you know what's coming, except that moment doesn't come because your strategies bore fruit. Stumbling back, the beast doesn't have the chance to retaliate or to heal because you're hitting him too hard with a barrage of spells and sword strokes. He fades into a black silhouette and then evaporates. The battle is complete. You won and it feels fantastic.
The multi-faceted nature of combat means that in Final Fantasy XIII, nearly every battle is a fresh adventure. That's not evident in the first few hours, where you're still learning new techniques and simply mashing the 'X' button allows you to slaughter most enemies that you encounter. The dynamic changes abruptly once you've been playing for a few hours, however, and you're suddenly going up against monsters so powerful that they can smash tanks, or you're fighting so many at once that they can overwhelm you almost before the fight begins unless you truly understand how to get the most out of your party members. You'll spend your time between fights unlocking skills and attribute boosts from a cobweb of skills similar to the Sphere Grid from Final Fantasy X, or you'll spend your time assigning roles to your characters so that they more naturally step into them the next time you have to go up against an armored motorcycle or a lumbering beast the size of an apartment complex.
The intriguing plot, deep character customization and thrilling battles aren't the only strengths that Final Fantasy XIII possesses, either; the title also benefits from an assortment of significant tweaks to the long-standing genre formula. Many of those tweaks are obvious improvements that other games have already made, such as enemies that you can see--and avoid--on the maps. Players are also sure to appreciate the fact that life meters refill completely after each battle and spare you the headache of constant item use. For the first time ever, you may be able to work through an entire Final Fantasy game without needing to buy a single potion. Another nice touch is that deaths aren't any more inconvenient than they have to be. If you lose a battle, you can choose to make another attempt at it within a few seconds and if you happened to die against a boss, you can press a button to skip any cutscenes.
Not every improvement is immediately obvious, either. Small touches like a map that indicates the last few steps you took (eliminating the possibility that you'll get turned around) and an in-battle menu system that remembers custom commands for subsequent rounds prove that a great deal of thought went into the process of further refining a system that had already raised the JRPG bar several times. One notable and potentially distressing change--the lack of sprawling, generally lifeless towns seen in Final Fantasy X and its ilk--winds up feeling more like strength than the weakness that some fans might suppose, and the early lack of an expansive map to explore is rectified in the game's closing chapters. Yet another nice touch is the fact that all weapons and items and upgrades are accessible from each and every save point, which spares you from having to keep track of which shop in which out-of-the-way location sells which glorious weapon at what price.
Final Fantasy XIII may not have a cast of characters capable of inspiring the love fans have showered on protagonists from the early games, but that flaw is easily enough overlooked due to the sheer number of things that the game gets so very right. If consumers are fortunate, some of the game's technical strengths will become the genre standard in the years to come. It seems unlikely, however, that we'll ever see another installment in this series or in any other one that so competently combines a fascinating plot with an array of game-changing refinements and such a revolutionary new combat system. Its luster will someday fade, but this game is one for the ages.
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