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Review by denouement
April 24, 2004
The best thing about Enter the Matrix is the concept. Rarely is this true for a licensed game -- usually the concept is the first of many things that fail, but this title sets a nice foundation which makes you think it might be the exception to the legacy of bad movie games. The story cleverly wraps itself around the chronology of Reloaded to give us not a repeat of the movie’s events but an interesting different perspective on events that are left vague in the film. We follow Niobe and Ghost, side characters in the movie, on a journey running parallel to that of Neo, Morpheus, and Trinity. The best choice Shiny made in developing this title was to disallow you from playing as Neo. Considering that Neo’s fights in the movie represent the current limit of graphic technology, surely the video game would pale in comparison. However, the lesser powers of these lesser characters are captured quite well, and instead of following Neo’s familiar path, players will get an enjoyable look at a whole new side of the plot. The somewhat dangerous choice of Niobe over Neo was an excellent creative decision.
Plus, how could the sheer beauty of Keanu Reeves ever be captured in a video game? Just kidding on that one.
The extra perspective on Reloaded’s story will surely appeal to Matrix fans. Just to entice them a bit more, there are a ton of exclusive cutscenes which are beautifully produced using everything the Wachowski brothers (the Matrix creators) had on hand for the film -- all the actors play their roles, the same sets and backgrounds make an appearance. The relationship of game and movie runs very deep. All that stuff you’ve read about the Wachowskis being intimately involved with the development of the game must be true -- Enter the Matrix and Reloaded were obviously created side by side. If you’re gushing with love over the movies, you will probably love the game as well.
The rest of you should be less excited.
Of course a major feature of the game is the ability to perform impossible stunts of physics-defying athleticism. This is accomplished through a system called ‘Focus.’ By activating Focus, your player can slow down time, affording the opportunity to dust off enemies who can’t keep up, and also do some cool kung-fu inspired moves, like jumping backwards off walls and other absurdly delightful tricks. Focus will be an important part of gameplay, but opportunities to try out these cool moves in real combat are limited. You can fool around in empty rooms to your heart’s delight -- and I warn you, if you buy the game you will spend a lot of time just checking out this stuff. But in the actual fights, Focus will be used mostly to outshoot opponents or dodge their fire.
I’d argue that there is way too much shooting in this game. Think back to the two main fights of the first movie: Neo and Trinity in the infamous “lobby scene,” so violent and destructive that people compared it to the Columbine shooting, and then Neo versus Agent Smith in the subway station. Sure, the lobby had a lot of firepower, and they really kicked some ass, but the subway scene was the crowning achievement of the movie. The man-on-man fighting, the power of Smith’s lighting-fast punches to the gut, and the defiance of Neo’s taunting wave had a huge visceral impact. That fight was exciting. But Enter the Matrix is most like the lobby. You’ll spend far more time shooting people from across a room than you will kicking and punching them, and shooting is really something that should have been left to another title -- it’s already been done better a hundred times. Damn it, I wanted that subway fight!
Graphically, the locales of Enter the Matrix are not beautiful and are often very annoying, because the dreary, dank settings of the film aren’t great places for exploration or combat. Just as there is a disturbing sameness to the Matrix -- remember, Neo talked about it, something just didn’t feel right -- there’s also a universal ugliness to this game. The only exception is the white-walled Chateau owned by the entertainingly French character called the Merovingian. This guy seems to be exercising his Clovis the Great fetish with a practical medieval armory on the walls of his house, but unfortunately this is really the only level that’s visually engaging. Other areas are pretty Spartan, and even worse, are so dark as to frequently impinge on your gameplay. The two main characters look alright, with Niobe appearing especially sharp in an ankle length alligator-skin coat that moves nicely around her as she spins and kicks. The enemies are pretty faceless, but after all this is the Matrix, so perhaps that’s intentional and excusable.
The sound is a brighter point in this dark game. The music is really intense, rock mixed with techno and a taste of industrial, and it follows well with the combat and the film. It also injects a little life into otherwise dreary surroundings. The sound effects in a game with this much shooting are always dominated by gunfire, but everything comes through crisp.
Enter the Matrix is buggy also. These aren’t the crazy, stupid bugs players of some games will complain about -- it’s not, “I tried to fit fifteen cars in my garage and my game crashed!!” Enter the Matrix was inexplicably shipped with simple bugs that the play testers surely caught. We’re talking about getting stuck in walls and other objects; these are fundamental failure in game programming. Actually, I can explain why Enter the Matrix was shipped with these errors unrepaired -- the movie was about to come out and millions of copies had been pre-ordered, so the playtester’s complaints were surely and silently swept under the rug. It’s too bad such errors weren’t corrected, but even taking them away, Enter the Matrix remains a fairly average game.
We began with a really promising base, supported by an excellent side story developing some minor characters and previously unknown events. There was also an intriguing Focus system, and a cool “hacking” format for discovering and utilizing cheats and special features. But poor execution and apparent rushed development marred these capable designs.
Let me say that by the standards of movie tie-in games, Enter the Matrix is pretty damn good, which means it will probably sell an ass-load of copies. But it dishonors the awesome ideas behind the Matrix, which revolutionized the way the media depicts fighting -- even gunfights with blazing automatic weapons can now be things of grace and beauty. It’s sad to see that the guys who made the Matrix, who after all invented this stuff and made it a phenomenon, can’t pull it off effectively in a video game. Even in their failure, someone else has already beaten them to the punch, and done it better than they did -- Max Payne.
We all want to be Neo. But Neo doesn’t get stuck in walls.
Rating: 4/10
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Most recent video game reviews written by denouement
Xenogears (PlayStation) [December 18, 2005]
Ninja Spirit (TurboGrafx-16) [October 08, 2005]
Contra: Hard Corps (Genesis) [September 19, 2004]
Star Ocean: The Second Story (PlayStation) [July 17, 2004]
Ghosts 'N Goblins (NES) [July 10, 2004]
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