I'm moving to Oregon at the end of September and my girlfriend and I need to trim down our possessions and fund our trip. I hate to spam, but I'm selling games, books and movies and I'm willing to negotiate the price with any of you on anything you might be interested in. If you're looking for stuff, please help us out and check out the links!

Books, DVDs and Movies on Glyde.

My eBay page (PS1 games, mostly).

Thanks!

The game is in many ways a perfect example of Activision's consistent mishandling of the Bond license. It's certainly gotten a little more polish than your average licensed Activision release, but it’s still not worth your time.

Eidos Montreal deftly updated the game to give it more modern sensibilities while retaining the core of what captivated us with the original. I'd even go as far as arguing that this is the very best entry in the series and closest to the original vision of what the game could be, though some may disagree.

Somewhere along the way, the vision for this game was lost and what remains is a jumbled, unsatisfying mess. There are good ideas here - the controls work very well and the core ideas the game calls on have potential. It's just very poorly conceived. Nothing really meshes together and I got the feeling that it was just put to market because they'd spent so much on it already and it was too expensive to try to salvage it. I can't really recommend Bodycount to anyone.

Armageddon takes the core elements that attracted all of us to the series in the first place and combines them to create a solid game that series fans can't afford to miss.

L.A. Noire is a fairly dull detective game unnecessarily superimposed on an open-world. Most of the time players spend while playing L.A. Noire is doing things that are boring, mindless, rote. When the cases are interesting, as several admittedly are, the mystery is compelling enough to drive players through these rough patches. But when the cases fall flat, players can become quickly disinterested and the game starts to become wearing and tedious.

[Mafia II] doesn't pave new ground and it probably won't be remembered as one of the greatest mafia stories ever told across any medium, but it is the best mafia story that our industry has ever told and I think that's something to celebrate.

MLB 11: The Show spent the off-season focusing on core mechanics and the latest entry delivers substantially.

Early on in Star Wars: The Force Unleashed II, our hero, Starkiller, escapes from a cloning facility in Darth Vader's TIE fighter. The caped arch-villain watches as his failed protégé takes to the air and escapes the Empire's custody, setting the stage for yet another attempt at rebellion. The scene is beautifully rendered, as all are in The Force Unleashed II, adding a touch of Hollywood authenticity to the production. But this one scene, beautiful and fleeting, breaks any sen...

If you remove the hearts from Twisted Metal and Left 4 Dead and boil them down to their core ideas, what you have in Blood Drive is a near perfect fusion of the gameplay found in each. Twisted Metal has you steering cars occupied by sadists in a demolition derby and Left 4 Dead has you killing endless waves of zombies. Blood Drive has you participating in demolition derby events while running over loose zombies that have roamed onto the field...

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